Thomas G. Long - "Does It Really Count?" (April 16, 1989)
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Transcript
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- | Some years ago, when I first stood in this pulpit, | 0:04 |
I felt a tremble of excitement and a thrill. | 0:08 | |
I feel it again today. | 0:12 | |
I don't think that goes away in this place. | 0:14 | |
It's a magnificent place to be, | 0:16 | |
to be a part of this community at worship. | 0:19 | |
When Will invited me to be here today, | 0:22 | |
he said in the letter, now, let's be candid. | 0:25 | |
People don't always like preachers | 0:29 | |
and they are not always enthusiastic about sermons | 0:31 | |
but I will guarantee you this. | 0:35 | |
If you will come and preach in Duke Chapel | 0:38 | |
on April 16th, after your sermon, | 0:41 | |
they will dance in the sanctuary. | 0:44 | |
(audience laughing) | 0:47 | |
I had no idea he would build a stage for it | 0:52 | |
but he's a man of his word and it's good to be here. | 0:57 | |
Carol Norton read the lesson | 1:01 | |
from the Gospel of John for today. | 1:03 | |
I lift up these words from it. | 1:05 | |
The sheep hear my voice and they follow | 1:09 | |
and no one will be able | 1:14 | |
to snatch them out of my hand. | 1:17 | |
Last month, a remarkable announcement | 1:23 | |
startled the scientific world. | 1:26 | |
Two chemists, one in Utah, the other in England, | 1:30 | |
claimed that they had been able to create, | 1:36 | |
in a six inch jar of water, | 1:39 | |
at normal pressure and room temperature, | 1:42 | |
a nuclear fusion reaction. | 1:46 | |
Well, if they've done it, it's startling news indeed. | 1:52 | |
In fact, they've created what amounts | 1:55 | |
to a perpetual motion machine. | 1:57 | |
They said, four times as much energy came out | 2:00 | |
of that reaction as they put into it. | 2:04 | |
This is Nobel prize-winning stuff. | 2:07 | |
If they're right, they've turned the key | 2:11 | |
in the first lock to a whole new | 2:14 | |
source of energy for the world. | 2:16 | |
In addition, however, to raised hopes and expectations, | 2:21 | |
other scientists in the world also had some raised eyebrows. | 2:25 | |
They were skeptical. | 2:30 | |
If they've actually done it, | 2:32 | |
why didn't they publish it like everybody does? | 2:33 | |
Where are the results? | 2:36 | |
Where are the data? | 2:38 | |
What are the controls on the experiment? | 2:39 | |
This one doesn't count. | 2:41 | |
It's not valid until it's demonstrated | 2:43 | |
in a much more public way, | 2:46 | |
until what they say they did in their laboratory, | 2:50 | |
I can do in my laboratory | 2:52 | |
and others can do in their laboratories, | 2:54 | |
it's not worth the paper the press releases | 2:58 | |
are printed on, it doesn't count. | 3:00 | |
So, for the past couple of weeks, | 3:03 | |
scientists all around the world have been scrambling | 3:05 | |
to see if they can repeat the experiment. | 3:08 | |
We tried it and it worked, said an excited Texas A&M. | 3:12 | |
Well, we tried it and it didn't work, growled a cynical MIT. | 3:18 | |
It looks like we're in for a long | 3:24 | |
and intriguing debate on this one | 3:26 | |
but it is absolutely clear that a claim | 3:28 | |
of this sort does not count | 3:32 | |
unless it is provable in public, | 3:35 | |
unless what one scientist claimed | 3:39 | |
to have observed and seen in the laboratory | 3:41 | |
over here can be observed and measured | 3:44 | |
in the laboratory over there, it doesn't count. | 3:47 | |
Once we leave the laboratory, however, | 3:54 | |
it is not quite so clear and simple | 3:57 | |
to be able to determine what counts and what doesn't. | 4:00 | |
What validates a human life? | 4:07 | |
All of us want our lives to count, | 4:11 | |
so what makes for a life that counts? | 4:14 | |
What tells us that a life has been lived | 4:16 | |
truly or falsely, wisely or foolish? | 4:19 | |
Look at me. | 4:23 | |
I've obviously made some decisions, | 4:25 | |
vocationally and personally, that have gotten me | 4:27 | |
into a situation like this today. | 4:30 | |
You've made some decisions too, | 4:35 | |
that have gotten you where you are. | 4:37 | |
How do we know whether your life or mine is a wonder | 4:41 | |
or a waste? | 4:48 | |
And whose life counts for more, | 4:50 | |
a president's or street person's? | 4:54 | |
An unborn child or a pregnant woman | 4:56 | |
whose pregnancy threatens her life? | 5:00 | |
An astronaut or a third grade teacher? | 5:03 | |
A social worker nobody knows who makes 25 grand a year | 5:07 | |
or a center-fielder who delights millions | 5:11 | |
and pulls down millions? | 5:15 | |
Where are the controls? | 5:18 | |
Where are the data? | 5:19 | |
Who counts, where is the laboratory of human worth? | 5:21 | |
Well, look, I am a preacher. | 5:26 | |
I am preaching a sermon | 5:28 | |
and I know what I am supposed to say. | 5:29 | |
What I am supposed to say about this, | 5:33 | |
is that the laboratory of human worth | 5:35 | |
is not in any of the superficial measures of human life, | 5:38 | |
it's in the mind and eye of God | 5:41 | |
and that when you strip away all the doer's profiles | 5:44 | |
and the BMW's and the high salaries | 5:47 | |
that human beings use to count worth among themselves | 5:50 | |
and get down to the real theological issues, | 5:54 | |
God counts all human beings of equal worth. | 5:56 | |
The social worker and the center-fielder, | 6:01 | |
they're just the same in the eye of God. | 6:04 | |
Even the prisoner on death row is worth | 6:08 | |
just as much love, just as deeply cherished, | 6:12 | |
just as profoundly by God | 6:15 | |
as Saint Augustine or Mother Teresa. | 6:17 | |
I'm supposed to say that | 6:24 | |
and I will, I suppose. | 6:27 | |
I do believe it is true. | 6:29 | |
God is no respecter of persons. | 6:32 | |
All human life is worthy to God | 6:34 | |
but if that is the only truth we have, | 6:36 | |
that is at best a half and distorted truth | 6:39 | |
because as a matter of fact, | 6:45 | |
everybody in this room is not only created equal | 6:47 | |
in the eyes of God but is also given by God, | 6:51 | |
the freedom to make choices. | 6:54 | |
None of us is perfectly free of course | 6:57 | |
but we do make choices. | 7:00 | |
We walk in this path or that one. | 7:02 | |
We live out of that vision or another one. | 7:05 | |
We serve this power or some other power. | 7:08 | |
And if human willing and freedom | 7:13 | |
are to mean anything at all, | 7:15 | |
then it also means | 7:17 | |
that those choices matter. | 7:19 | |
It is possible to be a good steward of your life | 7:25 | |
and it is possible to waste it. | 7:28 | |
It's possible to be a saint | 7:32 | |
and it's possible to be a fool. | 7:36 | |
How do we know what really counts? | 7:41 | |
Well, when the writers of the book, | 7:48 | |
Habits of the Heart, were combing | 7:50 | |
across the American landscape, | 7:52 | |
interviewing American people about their values | 7:55 | |
and styles of living and their views of themself | 7:58 | |
and community, they discovered that when American people | 8:01 | |
outgrow the measure of human worth, | 8:05 | |
counted according to salary and title on the door | 8:08 | |
and not everybody outgrows that, | 8:13 | |
but when some Americans do outgrow that, | 8:14 | |
the only recourse that they feel they have to judge | 8:18 | |
what counts and what is worthy | 8:21 | |
is their own internal moral compass. | 8:24 | |
In fact, one of the people they interviewed, | 8:28 | |
a woman they call Margaret Oldham said this, | 8:30 | |
what counts in life really boils down, | 8:34 | |
I suppose, to my own sense of values, | 8:36 | |
the goals that I set for myself. | 8:40 | |
You can't go around in life, | 8:42 | |
trying to please other people all the time. | 8:44 | |
What really counts is when you're able to satisfy yourself | 8:46 | |
or as Darryl Strawberry puts it more simply, | 8:51 | |
you got to play this game from within yourself. | 8:54 | |
But the writers of Habit of the Heart | 9:00 | |
also noted that even the Margaret Oldhams | 9:02 | |
of the world know that when all is said and done, | 9:04 | |
to trust only one's moral compass, | 9:09 | |
to measure oneself only against one's self | 9:13 | |
and the self's values is finally, | 9:16 | |
lonely, and idiosyncratic. | 9:19 | |
And so, people then try to move outside themselves | 9:24 | |
for some standard of measure. | 9:28 | |
How do we know what counts in human life? | 9:30 | |
Ah, I know what counts in human life. | 9:32 | |
You can't always tell in the moment | 9:35 | |
whether a life is worth something or not. | 9:38 | |
I mean, look at the Wright brothers. | 9:40 | |
Look at Robert Fulton. | 9:41 | |
You can't always know whether there's wisdom | 9:42 | |
or foolishness in a life but history will tell the tale. | 9:45 | |
The passing of time when all is said and done, | 9:50 | |
will sift the wheat from the chaff | 9:52 | |
and then we'll know which lives have been lives | 9:55 | |
and which have been foolish. | 9:59 | |
As Richard Nixon is one to put it, | 10:01 | |
the Congress almost impeached me | 10:04 | |
and the media crucified me but history will vindicate me. | 10:06 | |
Well, is it true? | 10:13 | |
Does history have the power to tell us | 10:16 | |
what counts and what doesn't, | 10:19 | |
who is wise and who is foolish? | 10:22 | |
The stage manager in Thornton Wilder's Our Town | 10:27 | |
is at one point in the play, introducing the audience | 10:31 | |
to the little town of Grover's Corners. | 10:35 | |
He guides the audience from place to place | 10:39 | |
in the town and then at one point, | 10:42 | |
he turns to the audience and reflects. | 10:44 | |
You know, Babylon once had | 10:46 | |
two million people in it | 10:51 | |
and all we know about 'em is the names of their kings | 10:55 | |
and the records of a few wheat contracts | 10:58 | |
but every night, they all sat down to supper. | 11:03 | |
People came home from work and the smoke curled | 11:06 | |
up the chimney just like here. | 11:10 | |
All history knows | 11:15 | |
is the names of their kings | 11:19 | |
and a few records of wheat contracts. | 11:21 | |
Did their lives count | 11:26 | |
or didn't they? | 11:30 | |
Back in 1964, the city of Cleveland | 11:34 | |
was in turmoil. | 11:38 | |
The Board of Education in Cleveland had just announced | 11:41 | |
an ambitious new school building project | 11:44 | |
but if you put the new schools on a map | 11:50 | |
of the city of Cleveland, some said, | 11:53 | |
you were easily able to determine | 11:56 | |
that this new building program was racist in motivation. | 11:58 | |
The new schools were going in affluent white suburbs | 12:03 | |
while the inner-city schools were being left to decay. | 12:06 | |
So, protest groups arose to try to alter | 12:11 | |
the plan or maybe even stop the construction | 12:14 | |
and one day, out at one of the new school | 12:17 | |
building sites, a protest group showed up. | 12:20 | |
One of the members of the group, | 12:25 | |
a young Presbyterian minister, | 12:26 | |
in order to try to stop the construction, | 12:29 | |
lay down in front of a bulldozer. | 12:32 | |
The bulldozer operator did not see the man. | 12:37 | |
He was not malicious. He simply did not see him. | 12:42 | |
People were calling out to him, stop, stop, | 12:47 | |
but of course, with the roar of the diesel motor, | 12:50 | |
he couldn't hear them. | 12:53 | |
He thought they were simply announcing | 12:54 | |
their political agenda, so the bulldozer rolled on | 12:56 | |
and crushed the young man to death. | 13:01 | |
That was 25 years ago. | 13:08 | |
Most of those schools have been built, | 13:11 | |
the city of Cleveland has gone on to other issues | 13:13 | |
and hardly anyone remembers that incident. | 13:18 | |
In fact, the day after it happened, | 13:21 | |
the Cleveland newspaper said it was a tragic waste | 13:23 | |
and now that history has indeed pretty much forgotten it, | 13:27 | |
did that life count | 13:34 | |
or not? | 13:38 | |
History alone cannot tell us. | 13:42 | |
How do we know what counts? | 13:50 | |
Well, there is a wonderful scene | 13:55 | |
in John Updike's novel, A Month of Sundays. | 13:57 | |
In this scene, the protagonist, | 14:01 | |
Thomas Marshfield, a bad boy minister | 14:04 | |
who is in a home for wayward ministers, | 14:08 | |
is playing poker with the other boys at the home. | 14:12 | |
Now, this particular kind of poker | 14:17 | |
involves putting all of the cards | 14:19 | |
in your hand face up on the table | 14:22 | |
except for one card which you and you alone see. | 14:25 | |
Now, in this particular round, | 14:31 | |
the cards that Marshfield had lying face-up | 14:33 | |
on the table, were incredibly strong. | 14:36 | |
He had an almost invincible hand showing | 14:39 | |
and so, one by one, all of the other | 14:43 | |
betters dropped out of the game. | 14:46 | |
Too much for me, I'm out. | 14:48 | |
Except for one other player, | 14:51 | |
a stutterer named Fred, | 14:54 | |
whose hand showing on the table | 15:00 | |
was absolutely miserable | 15:03 | |
but nonetheless, he kept betting. | 15:07 | |
Every time Marshfield would call him and raise him, | 15:12 | |
he would match and raise back. | 15:14 | |
Back and forth, the betting went, | 15:16 | |
until there was all the money at the table on the table. | 15:20 | |
The stakes were incredibly high | 15:23 | |
and the time came for the showdown. | 15:25 | |
Fred turned his one remaining card face-up | 15:29 | |
and it too was an impoverished little card. | 15:33 | |
Incredibly, idiotically, Fred had risked everything | 15:40 | |
he had on an incredibly bad hand. | 15:44 | |
In fact, mathematically speaking, | 15:48 | |
there was only one card in the whole deck | 15:50 | |
which technically speaking | 15:53 | |
could have made Marshfield's hand the loser to Fred's. | 15:54 | |
It was the card that Marshfield in fact held. | 16:00 | |
As Marshfield looked at the card and looked at Fred, | 16:07 | |
two things, he said, occurred to me. | 16:10 | |
Fred was crazy and he had won. | 16:13 | |
He had risked everything, not on a reasonable faith | 16:19 | |
but on a virtual impossibility and he had been right. | 16:23 | |
Now, Updike, I think is writing a parable | 16:29 | |
and not only that, I think the community | 16:33 | |
that first received and read the Gospel of John | 16:36 | |
would have recognized that parable | 16:40 | |
and would have identified with that wager, | 16:42 | |
for they too had risked everything, | 16:46 | |
not on a reasonable faith but on the virtual | 16:49 | |
impossibility that what they had seen | 16:52 | |
and heard in Jesus Christ was more true | 16:56 | |
than all of the powerful hands | 17:00 | |
that had been dealt to the world around them. | 17:03 | |
That what it meant to count in life | 17:08 | |
could not be determined by being true to oneself | 17:10 | |
but by oneself being true to what one heard | 17:16 | |
and saw in Christ, that history | 17:20 | |
would not validate or reward it, | 17:23 | |
that history in fact had said a thunderous no | 17:25 | |
to this Christ and that, as a matter of fact, | 17:29 | |
there were no laboratories, | 17:33 | |
no standards, no data to demonstrate | 17:35 | |
that they had made the correct wager, | 17:39 | |
only a promise, the sheep | 17:41 | |
hear my voice. | 17:45 | |
In the story, that Carol read to us, | 17:50 | |
the religious leaders want more. | 17:52 | |
If you are the Christ, show us plainly. | 17:54 | |
Get it out in the laboratory. | 17:58 | |
Plainly demonstrate where we can measure | 18:00 | |
and test so that we can know that what we are trusting | 18:03 | |
is true before we have to take the risk | 18:06 | |
of stepping over the line and believing it and living it. | 18:09 | |
I wish that were true too, don't you? | 18:14 | |
But there is only the presence | 18:19 | |
and the voice. | 18:22 | |
The sheep hear my voice | 18:25 | |
and they follow | 18:31 | |
and that's what counts. | 18:34 | |
As the young preacher, standing in the river, | 18:37 | |
in Flannery O'Connor's story, says to the young boy | 18:40 | |
about to be baptized into Jesus Christ, | 18:43 | |
as a word of warning and promise, you'll be different. | 18:46 | |
You'll count. | 18:54 | |
Now, the sheep hear my voice. | 18:59 | |
How is that so? | 19:01 | |
We do not have the good shepherd | 19:04 | |
walking beside us each day, | 19:06 | |
whispering shepherd-like sayings into our ear. | 19:08 | |
Go this way, do that, follow me here | 19:11 | |
but neither did the readers of the Gospel of John. | 19:15 | |
It's far more ambiguous than that. | 19:20 | |
All they had was the story, | 19:23 | |
which they told to each other and the expectation | 19:25 | |
that if they listened and watched, | 19:29 | |
that every now and then, life would open up | 19:32 | |
with its wonder of God's truth, | 19:36 | |
that the curtains would pull back | 19:39 | |
and they would see a truth deeper than the world's wisdom | 19:41 | |
and hear a voice more compelling than the world's call | 19:44 | |
and then they would have to decide, do I trust that voice? | 19:49 | |
Do I trust that truth? | 19:53 | |
Do I follow that presence or do I rake in my chips | 19:55 | |
and say, too much for me, | 20:00 | |
go on without me? | 20:04 | |
I read recently about a woman | 20:08 | |
who gave her life to teaching brain-damaged children. | 20:10 | |
Every year she had a class | 20:15 | |
of brain-damaged children ranging | 20:18 | |
from moderately to severely afflicted. | 20:20 | |
One year, she decided it would be a good thing | 20:25 | |
for them and for the community | 20:27 | |
if they would stage a production of My Fair Lady. | 20:29 | |
It never occurred to her (laughs), it never occurred to her, | 20:33 | |
since she had become so immune | 20:38 | |
to the world's way of viewing these kids, | 20:41 | |
to the world's judgment on her class, | 20:43 | |
it never occurred to her not to give the leading part | 20:46 | |
to a young girl in her class who wanted it desperately, | 20:50 | |
even though she was confined to a wheelchair. | 20:54 | |
Never occurred to her not to give her the part. | 20:59 | |
It also never occurred to her that on opening night, | 21:03 | |
when with great effort, she wheeled herself | 21:08 | |
to the center of the stage and turned | 21:11 | |
and in a halting but beautiful soprano, sang, | 21:15 | |
I could have danced all night. | 21:20 | |
I could have spread my wings and done | 21:24 | |
a thousand things I've never done before. | 21:26 | |
Never occurred to her | 21:30 | |
that the audience would weep, | 21:33 | |
for in that moment they had seen a truth | 21:39 | |
deeper than the world's wisdom, | 21:42 | |
heard a voice more compelling | 21:46 | |
than the world's voices | 21:50 | |
and they had to decide what is true, what counts. | 21:53 | |
The rubber and steel of the wheelchair, | 21:57 | |
the verdict of hopeless on this life, | 22:00 | |
or were they hearing the truth | 22:05 | |
that there is a power more redemptive, | 22:07 | |
a value more saving, | 22:11 | |
a truth more compelling that makes even, | 22:14 | |
I could have danced all night into a holy hymn. | 22:18 | |
The sheep hear my voice | 22:27 | |
and they follow. | 22:33 | |
No GRE scores, no SATs, no GPAs | 22:36 | |
to confirm we've made the right choice. | 22:39 | |
No brass plaques along the way to say well done, | 22:41 | |
just the voice and the wager. | 22:47 | |
She was an elderly woman. | 22:54 | |
She was in a congregation in the inner city. | 22:56 | |
She walked to church every Sunday | 22:59 | |
because she lived a couple of blocks away | 23:01 | |
in a project that was deemed | 23:03 | |
to be the most violent and dangerous in the city | 23:05 | |
but in that project, | 23:10 | |
her apartment was seen to be a sanctuary. | 23:11 | |
If you were hungry, there was always | 23:14 | |
an extra bowl of soup on stove. | 23:16 | |
If you needed an ear, she was ready to listen. | 23:18 | |
If you were the victim of violence in your apartment, | 23:21 | |
her place was a safe haven and a refuge. | 23:24 | |
Day and night there were knocks on the door, | 23:28 | |
strangers, she always opened and welcomed, | 23:29 | |
even at great risk to herself. | 23:33 | |
She'd been mugged several times, | 23:34 | |
robbed a number of times but day and night, | 23:37 | |
she opened her door. | 23:39 | |
Her minister said, I look out at her on Sunday morning | 23:41 | |
and I wonder to myself, how can she do it? | 23:44 | |
I know she believes this stuff but she must get tired. | 23:46 | |
She must be afraid but she does it day in and day out. | 23:50 | |
One night, he said, | 23:56 | |
we had had an evening service at the church. | 23:57 | |
I had cut off the lights after the service | 23:59 | |
and was locking the church door | 24:01 | |
and I saw her walking down the litter-filled, | 24:03 | |
grimy sidewalk to her apartment, | 24:07 | |
heading into that place which was full of violence | 24:10 | |
but was her mission field and her home. | 24:14 | |
I was surprised, he said, to see as she walked, | 24:17 | |
that she held her hand up like this. | 24:21 | |
I wondered what it meant and then I heard her voice | 24:26 | |
cut the night with this old hymn. | 24:29 | |
Precious Lord, take my hand. | 24:35 | |
Lead me on, lead me on. | 24:39 | |
Foolish or the truth? | 24:46 | |
The sheep hear my voice | 24:52 | |
and no one, no one | 24:56 | |
can take them out of my hand. | 25:01 | |
Amen. | 25:07 |